
Home Alone 2: Lost in New York (1992) - Technical specifications - IMDb
Home Alone 2: Lost in New York (1992) - Movies, TV, Celebs, and more...
Home Alone 2: Lost in New York (1992) - ShotOnWhat
The movie Home Alone 2: Lost in New York, released in 1992 and directed by Chris Columbus, was shot on film using Panavision Panaflex Platinum Camera with Julio Macat as …
Home Alone 2: Lost in New York (1992) 35mm film trailer, flat …
*Technical Information:* "Home Alone 2: Lost in New York" was filmed using Panavision cameras and lenses, ensuring high-quality visual production.
Home Alone - The American Society of Cinematographers
Dec 22, 2021 · Macat shot the film on Arri BL4 cameras paired with Zeiss MK SuperSpeed prime lenses (T 1.3) and Eastman EXR 500T 5296 film. Two cameras were used throughout the film …
Home Alone 2: Lost in New York
This film, along with Home Alone and Home Alone 3, are the only three movies to be shot in an open matte of 1.14:1 for 35mm uncropped film scan prints. This film marks the last film …
Home Alone 2: Lost in New York (1992) – NYC in Film
Dec 26, 2024 · These new accommodations lasted until at least the late 1980s, but were most likely vacant when Home Alone 2 was filmed in early 1992. At some point after that, the motel …
The Camera of Kevin McCallister (Macaulay Culkin) in Mom, I still ...
Home Spot Home Alone 2: Lost in New York The Camera of Kevin McCallister (Macaulay Culkin) in Mom, I still missed the plane
All the Home Alone Movies: Cast Details & Where to Watch
3 days ago · Your guide to every Home Alone movie from the original 1990 classic to the latest reboot. Get info on the casts and how to stream all six movies on Disney+.
Home Alone 2: Lost in New York (1992), 35mm film trailer, scope 4K
May 20, 2024 · The film was shot primarily using Panavision cameras and lenses, which contributed to its polished and vibrant visual style.
5 Ways to Nail Comedy Cinematography from 'Home Alone' DP …
Dec 18, 2017 · Using techniques like color-coding interior vs. exterior shots and making notations as to where he thought the camera ought to move from one shot to the next, he was able to …